I’m excited to announce that Another Rebecca (originally published by @InspiredQuill in 2015, will be re-released with a brand-new cover by @wildpressed in September this year.
Here’s the blurb:
Rebecca Grey can’t shake off the hallucination she had while in hospital, but her alcoholic mother Bex is too wrapped up in the ‘Great Grief’ of her youth to notice her daughter’s struggle to define dream from reality.
The two of them lurch from one poverty-stricken situation to another. But why does an old woman she has never met believe she is Rebecca’s grandmother, and why did Bex swear to stop living when she was only nineteen?
Another Rebecca is a family story of secrets, interdependency and obsessive love.
Another Rebecca was inspired by the painting ‘There is no Night’ by Jack B. Yeats.
INTERVIEW WITH THE AUTHOR
Tracey Scott-Townsend on ANOTHER REBECCA
1) Comparing the writing of my second novel, Another Rebecca with my first, The Last Time We Saw Marion?
The seeds of both novels were sewn in 1989 when I lived alone in a flat in Hull. I was between two long-term relationships and in the third year of my art degree. I did a lot of writing as well as painting. The Last Time We Saw Marion was a novel from its inception, but Another Rebecca began as a short story, inspired by the painting There is No Night by Jack B. Yeats.
I began my full-time writing career in 2010 when my job as a teacher ended. By this time I had married for a second time, after being a single parent to my four children for ten years. I resurrected the 1989 draft of The Last Time We Saw Marion and completely re-wrote it. While the completed book was doing the rounds of agents and small presses, I started to develop my short story There is No Night into a second novel which became Another Rebecca.
Writing, rewriting and several rounds of edits of my first book had taught me that for me the production of a novel to the standard that I want it to be is a long process
I learned along the way by experimentation and whatever feedback I could glean from multiple rejections of The Last Time We Saw Marion. In writing Another Rebecca I had more experience and also some highly professional input, such as a workshop with one of my most-admired writers, Audrey Niffenegger.
2) Family is an important theme in my writing.
I am a product of the things that have happened to me, the decisions I’ve made and the actions I’ve taken. Childhood is a deeply buried influence in anyone.
I believe I’m susceptible to some degree of synaesthesia: a name would always conjure a colour in my mind’s eye and a picture, a snippet of music, a smell or a touch evokes memories in the same way that a film is brought on screen at the touch of a button.
I resurrect memories from my childhood onwards and dissipate them into plot lines. New characters are born from the cells of the disappeared versions of me and my past.
I am a daughter, a sister and a mother. I’ve experienced losses and gains in all of these roles. Because my novels are essentially about the human condition; family, in whatever form it occurs, cannot help but be an important theme to me.
3) Narrative voices.
I tend to use more than one narrative voice in my novels. Initially Another Rebecca was told exclusively from the close first-person perspectives of Rebecca and Bex. But the reader could only see and know what these two claustrophobically intertwined characters were telling us and there was too much story to be told effectively in this way. So I brought in Jack, Rebecca’s father, as the third first-person narrator. He also steps back and gives us a wider view of the character of Bex in the past which helps to give us the full story.
4) The settings in Another Rebecca.
The book is set in England and Ireland. Skegness, where Rebecca lives at the beginning of the story, was my local seaside town when I lived in Lincoln. Rebecca then moves to a caravan in a Lincolnshire village which is based on the real village of North Scarle where I lived in a caravan when I was Rebecca’s age. My father built a house on the site.
Rebecca visits her aunt in County Leitrim, Ireland, where my sister lived for a long time. Then Rebecca goes to live in a fictional house in the village of Newtown Linford in Leicestershire. I have been camping with my children in this district for more than 20 years, so I know the area well. It’s on the edge of Bradgate Park. This is the home of Lady Jane Grey, the nine-day queen of England, who appears to Rebecca in the park and gives her some salient advice. I’m familiar with the location because I go to a camp in some adjacent woodland every year, and we always take a walk through the village to the park.